The A7 III sensor has a BSI structure (back-illuminated) whereas the A6600 chip features a copper wiring layer to improve transmission. Above: in the first disappointment on a $1400 flagship body, the A6600 continues to employ a single SD card slot, and worse, it still won’t exploit the speed of UHS-II cards – an annoying decision for a camera that’s otherwise so effective for sports, action and wildlife, and after shooting a large burst you can be left waiting some time for the buffer to clear. That slight difference makes this camera above all apc cameras recently launched. You still find both S-Log2 and S-Log3 as well as frame rates up to 120fps in HD and up to 30fps in UHD 4K. But personally I wasn’t fond of the shape of the A6600’s new grip which bulged-out as it met the body without providing much of a hooked inner area for your finger tips. When compared to the A6500, the A6600 includes a higher extended ISO (102,400 versus 51,200). In terms of body design, the A6600 has an extended tilting range for its touchscreen and includes a headphone jack. Esta es la Sony A6600 , ¿Es la mejor cámara Sony Alpha APS-C? Like other recent Sony bodies, the A6600 allows you to tap to reposition the AF area – including when composing through the viewfinder – but not much else. Considering video features, the A6600 offers HLG video, whereas the A6500 does not. Both have a front-end LSI chip to increase the processing speed. While the A6600's 24.2-megapixel APS-C Exmor CMOS image sensor is not new, with their latest Bionz X image processor and additional improvements, the sensor behaves a bit differently in the A6600. Above: The A6600 becomes the second body in the A6000 series to offer built-in stabilisation, inheriting the exact same capabilities as the A6500. When shooting in low light, the A6600 is rated to focus from around -2 EV to 20 EV (ISO 100 at f/2.0), so it should prove fairly capable in low light. The Sony a6600 has an industry-leading autofocus system, is capable of excellent images and video, comes with very useful in-body image stabilization and has the best battery life of any mirrorless camera on the market at this time. You can see it here passing three hours with 8% of the battery remaining – I ended up recording 3 hours, 25 mins and 17 secs of 4k 24p at 60Mbit/s in a single clip measuring 89GB – seriously impressive stuff for anyone recording events, interviews or lectures, and way beyond anything its rivals can do – I keep going on about Fujifilm’s X-T3, but it can only record half hour 4k clips up to 30p and only two of them on a single charge. Further, its autofocus system is improved, with the A6600 offering 425 PDAF and 425 CDAF points compared to the A6500's 425 PDAF and only 169 CDAF points. Further, the camera includes real-time tracking and real-time eye AF during video recording. Like many new cameras, it combines or enhances elements from existing models, so at the heart is the 24 Megapixel sensor introduced on the A6300 with its broad and confident autofocus coverage, 11fps bursts and oversampled 4k video up to 30p. Although both cameras give you an output of 24MP (6000×4000), the sensor found inside their bodies is different. Reviews Beyond the studio tests Feature Articles and Videos see how we see Sample Galleries real world performance Field Test Videos Throwback Thursday Classic Cameras from Days Past What's that Noise? The A6600 has Sony's Multi Interface hot shoe on the top as well, but it does not include the digital audio interface found on the A7R Mark IV. It’s paired with the latest BIONZ X processor. On the top of the camera, there are a pair of custom buttons, a dedicated mode dial (with two custom mode slots) and a rear command dial. Don’t get me wrong, it’s not bad, but just outclassed in resolution by a number of rivals, again including the Fujifilm X-T3 which sports a 3.69 Million dot panel that’s more typical on a flagship body in 2019. Sony quotes 810 shots under CIPA conditions – roughly double that of the A6400 and a tad more than the full-framers which use it – but I managed over 900 shots on a single charge including several minutes of video and Wifi use. The Sony A6600 , Fujifilm X-T4 , Panasonic GH5 and Olympus OM-D E-M1 Mark III . SONY Alpha shutter/image counter. As for some of the other new features added to the a6600; the headphone jack seems like a basic function essential to all video shooters and something that Sony … Grip and battery. Remember the resolution of the viewfinder doesn’t affect the image quality, but you do appreciate the extra detail when manually focusing and experience less moire on detailed scenes – I really noticed the difference when framing my wide-angle city views around New York. The rear of the camera looks quite similar to the A6400 and A6500, including a variety of buttons, control dial and select button. May not be used without permission. 1,51,990 in India with the kit lens Sony announced two new APS-C cameras, including the flagship A6600 camera. First, the Fuji sensor has a different distribution of pixels. Since the main body design hasn’t changed, the A6600 inherits the 3in 16:9 shaped screen of its predecessors, making it wider than most. The Z battery is by far the highlight of the A6600 and its number one upgrade over earlier models. The A6600 becomes the first A6000 model to sport a headphone jack and while it’s long overdue, I’m still pleased to see it here – along with the bigger battery, it’s another of the key upgrades over the A6400 and A6500. There may be no 4k above 30p, nor any 10-bit recording internal or external – all of which is available on the Fujifilm X-T3 – but there’s no arguing with the quality of Sony’s oversampled 4k footage. The A6600 now includes a built-in intervalometer, but it drops Sony's in-camera Sweep Panorama support. If you'd like a real-time viewfinder, you can slow the camera down to 8 frames per second. Above: Download the original file (Registered members of Vimeo only). Letting go of the shutter or AF button though disengaged the stabilisation with the wobbles returning, so for the steadiest view when composing, you’ll need to keep it pressed. Considering its power supply, the A6600 uses a different type of battery than its predecessors, Sony's NP-FZ100 rechargeable lithium-ion battery. On the Sony, it’s either red & green or blue & green (Bayer ar… Compare it to the Fujifilm X-T3 for instance which in my tests managed less than 400 photos or just one hour’s worth of 4k video (cut into two clips too) on a single charge. Sony A6600 shooters only have access to 4K30p or 1080p 120fps, just as in the A6300. With respect to the camera's operability while writing to the card, which has long been a sore spot with Sony cameras, the A6600 promises improved performance here, although during our hands-on time with the camera there were still some issues, which we will investigate further when we get extended time with the camera. Above: the A6600 becomes the first in the A6000 series to use Sony’s high capacity Z-series battery, and like the full-framers to debut the pack, it transforms the camera in use. In addition to the aforementioned mic and headphone jacks, the camera also includes Micro HDMI (Type D) and USB 2.0 (Micro-B) ports. In terms of shutter reliability, Sony states that the A6600's shutter is rated for 200,000 cycles. (69.3mm). Above: in another disappointing move, the A6600 inherits the 2.36 Million dot OLED viewfinder introduced back on the A6300 three and a half years ago. Let's take a closer look at the A6600 and see what it offers. In my tests the built-in stabilisation may not have delivered the eerie floating effect of the best models out there, but still proved beneficial for static shooting. When using it as a selfie display, there is a slight bit of the display which is obscured by the top plate of the camera, but it's a very small portion of the screen. Internal video is recorded at 4:2:0, although 4:2:2 video recording is possible via clean HDMI output. The stabilization is rated for up to five stops of shake correction. The camera also includes touch focus and touch shutter functionality. With its Fast Hybrid AF, Sony claims that the A6600 can achieve focus in as little as 0.02 seconds. The intro video was great, and I hope to view and learn from the others. As Sony's new flagship APS-C camera, the 24.2-meagpixel A6600 has a lot to live up to. Further, the A6600 processes images in 16-bit before outputting a final 14-bit raw file, which Sony states results in improved texture detail, shadow detail and tonal gradation. In short, it’s the longest life of any mirrorless camera I’ve tested. The Sony A6600 is built around the concept of speed and that is evident when considering the camera's autofocus and overall performance. (66.9mm) tall and has a maximum depth of 2.73 in. I’ve got to a point with Sony cameras where I rarely over-ride the Wide area mode with Real Time Tracking as it simply works so well for most subjects. 1 The α9 and Sony full-frame cameras that were released after the α9. 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